Retreat to Bliss, by Tom Rogerson

Retreat to Bliss

by Tom Rogerson

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Record/Vinyl + Digital Album
- 180 gram black vinyl
- Pressed at Independent Record Pressing in New Jersey
- Features artwork by Luke Drozd

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Compact Disc (CD) + Digital Album
- Compact disc packaged in 4-panel gatefold wallet
- Features artwork by Luke Drozd

Includes unlimited streaming of Retreat to Bliss via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

ships out within 60 days

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$14 USD or more

1.	Descent 05:22	buy track
2.	Oath 04:36	buy track
3.	Buried Deep 03:31	buy track
4.	Toumani 04:03	buy track
5.	Drone Finder 02:25	buy track
6.	Chant 04:32	buy track
7.	Rapture 1 04:08	buy track
8.	Open Out 03:46	buy track
9.	A Clearing 04:01	buy track
10.	Retreat To 06:10	buy track
11.	Coda 01:37	buy track

about

Since the release of his last album – 2017’s Finding Shore, a collaboration with Brian Eno – pianist and singer-songwriter Tom Rogerson’s life has undergone a number of dramatic transformations. While writing his new album Retreat to Bliss, Rogerson had a child, lost a parent, and received his own diagnosis of a rare form of blood cancer. The new decade brought him from Berlin to the Suffolk of his childhood, composing profound pieces of minimal songwriting in the church next to his parents’ home.

Rogerson studied composition at the Royal Academy of Music under mentors like Harrison Birtwistle, and he made his live debut as an improvising pianist in 2002, before releasing an improvised record with Reid Anderson (Bad Plus) and Mike Lewis (Happy Apple, Bon Iver) in 2004. He formed the band Three Trapped Tigers in 2007, expertly blending elements of electronic, jazz and noise rock into a cohesive whole. The band earned a reputation for innovative live shows and went on to perform and collaborate with artists like Brian Eno, Deftones, and the Dillinger Escape Plan. It was working with Eno, another Suffolk native, that eventually led Rogerson back to his roots and back to a place where he could write Retreat to Bliss, his solo debut album.

“All my life, the piano has been my constant companion, my confessor, my best friend, and my worst enemy,” Rogerson explains. “I’ve always written music on and for the piano, but it felt too personal, too private to release.”

Indeed, listening to Retreat to Bliss feels almost like eavesdropping, as though you’re crouched in the belfry of a Suffolk church, bearing witness to a form of musical bloodletting. For the first time in his noteworthy career, Rogerson has combined masterful piano playing and subtle electronics with the texture of his own voice, an attempt to express deeply private emotions that were difficult to articulate using instrumental music alone.

“The last few years have brought some struggle, some joy, and a lot of change. My response has been to retreat to what I trust the most: the piano, my voice, and the landscape I grew up in. That’s how the album got its title, and how I came to be ready finally to release a solo record.”

The eleven tracks that make up Retreat to Bliss were recorded by Leo Abrahams (Brian Eno, David Byrne, Grace Jones) over the course of just a few days, a process that emphasized spontaneity and the artist’s own commitment to improvisation.

The opening track, “Descent”, begins with a series of spare notes suspended like icicles, an inhalation of breath audible in the void. The emotional piece builds in intensity until Rogerson’s masterful piano playing has completely taken over, conjuring sonic images of rainfall on glass. The piece blends seamlessly into the utterly gorgeous “Oath”, the first track to feature Rogerson’s earnest and unaffected vocals. The collection draws the listener in further with songs like the contemplative “Toumani”, inspired by the music of the Malian kora player of the same name, and the centrepiece “Chant”, in which Rogerson quietly pleads, “Please don’t leave me / in this perfect place.” The album finishes with the climactic “Retreat To” and the brief outro “Coda”, a revelatory diptych that unfolds like a confession, furious and mournful one moment and in the next, simply questioning.

Secular yet devotional, intensely personal yet profound, the experience of listening to Retreat to Bliss seems to evade characterization. It’s physical and emotional, a glimpse into the mind of an artist who has chosen exposure over withdrawal, who uses his command of the piano to chart an unflinching path forward, never looking back.

credits

released March 25, 2022

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about

Tom Rogerson England, UK

Composer, pianist, improviser.

Founder 3 Trapped Tigers.

Curator of Proof Positive gig night in London.

Regular improv streamer at instagram and Youtube. ... more

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I adore this album! It’s like all of my favourite music has been rolled into one. I’m getting flavours of Battles, The Bad Plus, Tigran Hamasyan mixed with all of my favourite electronica. And a lot more besides. I love every minute of it. Thank you. It’s found me at just the right time. Beautiful whackamole
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